"Hey, everyone," I yelled into the mic, smiling at the full house that had gathered. "Welcome to the Electro Shock Therapy Comedy Hour!"
Here's what they heard:
[silence]
"Hello? Hello? Luke, is the mic on?"
[silence]
Now, I realize a non-working microphone is hardly unusual in the annals of showbiz, but it's the first time it ever happened to me. I've done shows where there was no mic, which was fine because they've taken place in small, acoustically sound rooms, and I've got a naturally loud voice.
But Therapy is no such room. It's a noisy lounge with drunk queens yammering away at the back bar and house music emanating from downstairs. I tried yelling to the crowd that we were experiencing technical difficulties and that we'd soon have them fixed, but everyone just stared up at me like I was a street mime.
So I did the only thing I could think of: I took my clothes off.
Well, really just my shirt. This got a brief "Woo!" from some horny audience members, but it didn't solve my dilemma: What to do next? Finally, I just left the stage and ran toward the DJ booth, my hands clenching in preparation to strangle Luke, my tech manager.
"OK, everyone," said Luke into his mic (which was working perfectly). "We're going to take a break and start the show again in 10 minutes."
And we did, with a fresh mic that worked perfectly. But the momentum had been lost, and nobody -- neither I nor the three highly talented comics I brought up, Danny McWilliams, Jayson Cross and Susan Alexander -- could get it back. Whether it was the mic or the heat or the alignment of the planets, the crowd just plain sucked.
In a recent episode of "Dane Cook's Tourgasm" on HBO, Dane admonishes his opener, Jay Davis, not to regard the crowd as a monolithic entity. "They're not 'a crowd,'" he says. "They're individual people, and you have to treat them that way."
With respect to Mr. Cook (a whiff of whose talent and success I can only dream of), I disagree. In my experience, comedy audiences cease being individuals the moment their first performer utters his first word. At that point they decide, "We love him," or "We hate him," or "We're going to reserve judgment for the first two minutes," or "We're going to drink too much and yell out stupid shit every time he tries to hit a punchline."
It's a mob mentality. And yes, if you're a truly talented, experienced performer, you can sway that mob in your favor -- maybe even make them change course completely. Sometimes. But last night's crowd decided early on that nothing was going to make them laugh (at least nothing other than crowd work, to which they responded with an occasional titter), and they stuck to their guns.
Strangely, they also stuck around until the bitter end. If I were at a free show and not enjoying it, I'd haul my ass outta there. There was no explaining these people; they were from Mars!
"Thank you so much!," I said at the end. "You've been a totally bizarre audience!" Again, blank stares.
Who knows -- I may be judging them too harshly. The other comics seemed to think the show had gone better than I did. And as Danny McWilliams, my headliner, said, "Who gives a shit if they thought it was funny? I did my best stuff, and I know it was good. If they didn't like it, that's their problem."
Words to live by, indeed.

Me, Jayson Cross, Susan Alexander and Danny McWilliams.
You may not think we're funny...

But WE think we are!
Afterwards, all three comics and some friends who had seen the show came back to my apartment for an impromptu after-hours party. Regrettably, the only thing I had to serve them was a half-cup of Manischewitz wine left over from Passover, two Amstel Lights, and a six-pack of malt liquor that had been in my refrigerator since the Democrats were in power. Every last drop was gone this morning.

There was none left for Elijah.
But it turned out to be a hilarious couple hours. I always hear these great stories about comics getting together after shows and partaking in all sorts of zany activities. In fact, I'm currently reading an advance copy of a book by Ritch Shydner and Mark Schiff entitled, "I Killed: True Stories of the Road from America's Top Comics." It's laugh-out-loud funny, particularly, believe it or not, an entry from Jeff Foxworthy.
So anyway, I hear about all this comic bonding, but I've seldom experienced it myself because... well, truthfully because I loathe most comics. They're always trying to out-funny one another. In terms of neediness and narcissism, they're worse than actors.
But last night -- between Jayson's regaling all the homos in the room with tales of his female conquests, Danny's demonstrating how the guests on "The View" should be forced to crawl across Barbara Walters's lap (you have to see it to appreciate it) and Susan's incessant, booming laughter and touching of all the boys' abs, I got a taste of the joyful silliness that can result from hanging out after a comedy show with people whose brains never shut off.
And you know what? It's even more fun than having a good crowd.♥
COME SEE ME HOST THE ELECTRO SHOCK THERAPY COMEDY HOUR THIS SUNDAY, AUG. 30 AT 10 PM, WHEN MY SPECIAL GUESTS WILL BE JESSICA KIRSON, AUDREY AMEY AND JAMIE PIERCE! DETAILS ON MY WEB SITE!





